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The Golden Age of Mexican Cinema (Spanish: Época de Oro del Cine Mexicano) is a historical period in the cinema of Mexico that lasted from 1936 to 1956. [1] It was marked by the production of highly praised films that shaped Mexican national identity and culture.
García Gustavo y AVIÑA, Rafael (1993) Época de oro del cine mexicano ed. Clío ISBN 968-6932-68-2; Herschfield, Joanne (1996) Mexican Cinema, Mexican Woman (1940–1950) University of Arizona Press ISBN 0-8165-1636-7; Maciel, David R. Mexico's Cinema: A Century of Film and Filmmakers, Wilmington, Delaware: SR Books, 1999. ISBN 0-8420-2682-7
Germán Genaro Cipriano Teodoro Gómez Valdés y Castillo (19 September 1915 – 29 June 1973), known professionally as Tin-Tan, was a Mexican actor, singer and comedian who was born in Mexico City but was raised and began his career in Ciudad Juarez, Chihuahua.
The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [2] [3] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [4] [5] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, [note 1 ...
Also released as Titanic: The Animated Movie. [12] 2004 In Search of The Titanic [citation needed] Kim J. Ok: Jane Alexander Rodolfo Bianchi Fabio Boccanera: A North Korean-Italian sequel to the animated film The Legend of the Titanic. Also known as Tentacolino. 2018 Holmes & Watson: Etan Cohen: Will Ferrell John C. Reilly
In the 1930s, film makers began expanding their ideas on film/cinematography and the "Epoca De Oro" was born. Epoca De Oro is well known throughout Latin America as one of the dominant eras of film history. Many black and white movies such as "Vamonos con Pancho Villa" (1935) and Alla En El Rancho Grande (1936) excelled in the box office and ...
Before this, Reachi produced short films that allowed him to develop the Cantinflas character, but it was in 1940 that he finally became a movie star, after shooting Ahí está el detalle ("There's the rub", literally "There lies the detail"), with Sofía Álvarez, Joaquín Pardavé, Sara García, and Dolores Camarillo. The phrase that gave ...
This 1949 comic classic was made at the height of the Golden Age of Mexican Cinema (in Spanish: Época de oro del cine mexicano), which is the name given to the period between 1935 and 1959 where the quality and economic success of the cinema of Mexico reached its peak. [4]