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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
It wasn't until the twentieth century that the totem pole tradition was adopted by the northern Coast Salish peoples including the Cowichan, Comox, Pentlatch, Musqueam, and Lummi tribes. These tribes created fewer free-standing totem poles, but are known for carving house posts in the interior and exterior of longhouses. [15] [16] [17] [18]
Pages in category "Chainsaw carving" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. ...
The Pole of Sag̱aw̓een was carved by Oyee to commemorate Chief Sag̱aw̓een from the Eagle tribe (Gitlaxluuks clan). At 81 feet (25 m) tall, this pole is the tallest pole carved on the Nass River. It stood in the village of Gitiks alongside two other Eagle poles: first, the Eagle's Nest Pole, and later in 1885, joined by the Halibut Pole of Laay.
The 80's also brought the first book on chainsaw carving, Fun and Profitable Chainsaw Carving by William Westenhaver and Ron Hovde, published in 1982. [1] Other books soon followed, including a book by Hal MacIntosh published in 1988 titled Chainsaw Art and in 2001 Chainsaw Carving: The Art and Craft. He published material on chainsaw carving ...
Lands-in-the-sky totem pole, Suquamish. Carved by Joe Hillaire for the 1962 Seattle World's Fair. Joseph Raymond Hillaire or Kwul-kwul’tw (1894–1967) was an American Indian sculptor of the Lummi (Lhaq’temish) tribe, known for his carved totem poles in the style of the Coast Salish peoples.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.