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Venus (/ ˈ v iː n ə s /; Classical Latin: [ˈu̯ɛnʊs̠] Ecclesiastical Latin: [ˈvɛ(ː)nus]) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy.
Venus Frigida; Venus in Search of Cupid Surprises Diana; Venus of Poetry; Venus of Urbino; Venus Persuading Helen to Love Paris; Venus plays the Harp; Venus Verticordia (Rossetti) Venus Weeping for Adonis (Poussin) Venus with a Mirror; Venus with a Satyr and Two Cupids; Venus with Mercury and Cupid; Venus, Cupid and Mars; Venus, Cupid, Folly ...
Carlotta Chabert as Venus is an 1830 portrait painting by the Italian artist Francesco Hayez. It depicts the celebrated ballerina Carlotta Chabert in the role of the Roman Goddess Venus. [1] Due to the presence of two doves in the painting it is also known as Venus with Doves. [2] Today it is in the Museum of Modern and Contemporary Art in ...
The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
Jean-Léon Gérôme was an exponent of academism, the nineteenth-century French art based on the academies of Fine Arts. During his life he was greatly inspired by Greco-Roman mythology and also specialized in the female artistic nude. The work depicts the birth of Venus, the goddess of love in Roman mythology.
The Rokeby Venus depicts the Roman goddess of love, beauty and fertility reclining languidly on her bed, her back to the viewer—in Antiquity, portrayal of Venus from a back view was a common visual and literary erotic motif [8] —and her knees tucked.