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The tour began in January 1970, and ended in August of the same year. All four members of the Doors in 1969. The Doors played 24 dates in the United States and Canada throughout the first half of 1970. [2] One of the tour's concerts was held in Felt Forum, which marked the start of the tour as well.
Live in Detroit is a double CD live album by the American rock band the Doors. It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records. [2] [3] The concert is one of the longest live performances by the Doors.
Although the Doors continued to face de facto bans in more conservative American markets and earned new bans at Salt Lake City's Salt Palace and Detroit's Cobo Hall following tumultuous concerts, [108] [109] the band managed to play 18 concerts in the United States, Mexico and Canada following the Miami incident in 1969, [110] and 23 dates in ...
Many shows were recorded during the band's 1970 Roadhouse Blues Tour to create the Absolutely Live album. The Doors' producer and longtime collaborator Paul A. Rothchild claimed to have painstakingly edited the album from many different shows to create one cohesive concert. According to Rothchild, the best part of a song from one performance ...
The Doors Special Edition. Released: November 30, 2013; Label: Eagle Vision; Format: DVD (Box set of 2002's The Doors Soundstage Performances, 2004's The Doors Live In Europe 1968, and 2012's Live at The Bowl ‘68) — 2014 Feast of Friends. Released: November 4, 2014; Label: Eagle Vision; Format: DVD, Blu-ray - 2018 Live at the Isle of Wight ...
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L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records.It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer.
Strange Days was recorded during tour breaks between May and August 1967 at Sunset Sound Recorders in Hollywood (the same studio as their first LP). In contrast to the 1966 sessions, producer Paul A. Rothchild and engineer Bruce Botnick employed a then cutting-edge 8-track recording machine. The protracted sessions allowed the band to ...