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Kabuki switched to adult male actors, called yaro-kabuki, in the mid-1600s. [9] Adult male actors, however, continued to play both female and male characters, and kabuki retained its popularity, remaining a key element of the Edo period urban life-style.
Pages in category "Kabuki characters" The following 43 pages are in this category, out of 43 total. This list may not reflect recent changes. A. Acala; Asano Naganori;
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.
Tachiyaku (立役, alt. tateyaku [1]) is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories.
In contemporary kabuki performance, onnagata is a separate theatrical role with different training that is separate from actual women in society. [6] After film was introduced in Japan at the end of the 19th century, the oyama continued to portray females in movies until the early 1920s.
Onstage, Danjuro Ichikawa, one of the biggest stars of Japan's Kabuki theater, is a virtuoso in switching roles. The 13th man to bear the name Danjuro Ichikawa — which has been passed down ...
Kabuki characters (43 P) F. Fiction about Kabuki (2 C, 3 P) K. Kabuki families (6 C) T. Kabuki theatres (1 C, 7 P) Pages in category "Kabuki" The following 55 pages ...
Aragoto (荒事), or 'rough style', [1] is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup ( kumadori ) worn by actors, as well as their enlarged and padded costumes. [ 2 ]