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In 2006, they re-released Aku Ada Karena Kau Ada [9] and debuted 1000 Bulan ("1,000 Months"), an Islam themed album, producing 75,000 copies which were only available during that year's Ramadhan. [13]
"Saskia, Antara Cinta dan Dusta" ("Saskia, Between Love and Lies") Rico Tampatty Dwiki Dharmawan Dani Mamesah Playboy: 1990 [39] "Satu Kembali" ("Back Together") Krakatau Dwiki Dharmawan Budhy Haryono Pra Budi Dharma Let There be Life: 1992 "Sayangi Aku, Aisyah"† # ("Love Me, Aisyah") Ita Purnamasari Dwiki Dharmawan‡ Sayangi Aisyah theme ...
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "Aku" has gone on to become Anwar's most celebrated ...
Di Bawah Lindungan Ka'bah is the second film adaptation of Hamka's novel Di Bawah Lindungan Ka'bah, following an adaptation in 1977 by Asrul Sani. [2] Unlike the original novel, which included numerous flashbacks, the plot is chronological.
Palace of the Masks detail. 2002 photo Map of the Kabah Maya archeological zone. The most famous structure at Kabah is the "Palace of the Masks", the façade decorated with hundreds of stone masks of the long-nosed rain god Chaac; it is also known as the Codz Poop, meaning "Rolled Matting", from the pattern of the stone mosaics. [1]
Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
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The song was recorded during the early 1977 Aja sessions at The Village Recorder in Los Angeles. [10] Gary Katz produced the song, as he had for every Steely Dan album. Roger Nichols and three other recording engineers did that task, work for which they would later share that year's Grammy Award for Best Engineered Non-Classical Recording.