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By the mid-19th century, Spain and the Hispanic-American republics had largely stabilized their relations. The focus of panhispanists at this time was the promotion of a "spiritual and cultural" brotherhood between Spain and the republics, rather than a political reconquest of the old imperial territories. [7]
Rasquachismo is rooted in the term rasquache, which is the English form of the Spanish term rascuache, [7] of Nahuatl origin. [8] The Spanish term has negative connotations in Mexico and Latin America, since it is used to describe anything lower class or impoverished. [8] In this context, rasquache is used to mean "ghetto."
Most Spanish settlers came to the Indies as permanent residents, established families and businesses, and sought advancement in the colonial system, such as membership of cabildos, so that they were in the hands of local, American-born (crillo) elites. During the Bourbon era, even when the crown systematically appointed peninsular-born ...
The richness of Latin American culture is the product of many influences, including: Spanish and Portuguese culture, owing to the region's history of colonization, settlement and continued immigration from Spain and Portugal. All the core elements of Latin American culture are of Iberian origin, which is ultimately related to Western culture.
A 17th–century Dutch map of the Americas. The historiography of Spanish America in multiple languages is vast and has a long history. [1] [2] [3] It dates back to the early sixteenth century with multiple competing accounts of the conquest, Spaniards’ eighteenth-century attempts to discover how to reverse the decline of its empire, [4] and people of Spanish descent born in the Americas ...
While relatively unknown, there is a flag representing the countries of Spanish America, its people, history and shared cultural legacy. It was created in October 1933 by Ángel Camblor, captain of the Uruguayan army. It was adopted by all the states of Spanish America during the Pan-American Conference of the same year in Montevideo, Uruguay. [27]
Historically, many Americans have romanticized the Spanish legacy and given a privileged position to the Castilian language and culture, while simultaneously downplaying or rejecting the Latin American and Caribbean dialects and cultures of the Spanish-speaking areas of U.S. influence.
The literary mixing of US and Spanish American culture, history, and social concerns is intensified by the inception of Latino literature written in English in the second half of the 20th century, in which authors such as Cristina García, Julia Álvarez, Gloria Anzaldúa, Oscar Hijuelos, Piri Thomas, Pedro Pietri, Miguel Piñero, and, of ...