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The Siena piano is an upright piano with dual pedals whose wood carvings are characteristic of early 19th century Italy. [5] The finishing touches and decorations on the piano were put on by Sebastian Marchisio's great-grandson, one of Italy's most famous craftsmen at the time, Nicomedo Ferri and a cousin.
Op. 68, Album for the Young (Album für die Jugend) (1848) for piano; Op. 69, Romanzen volume I (6 songs for female chorus with piano ad lib) (1849) Op. 70, Adagio and Allegro for Horn and Piano (1849) (Schumann directed that the horn part could also be performed on violin or cello) Op. 71, Adventlied for soprano, chorus and orchestra (1848)
I Giorni (2001) is a music album by the Italian pianist Ludovico Einaudi. The album's title translates as "The Days" in English. The album's title translates as "The Days" in English. The title track, "I Giorni" has received much interest due, in part, to Greg James ' airing in June 2011 of the piece on BBC Radio 1 . [ 1 ]
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Franz Liszt transcribed the Agnus Dei for solo piano (S. 437). It has been recorded by Leslie Howard. [24] Carus-Verlag published a version in 2013 for a small ensemble of horn, double bass, gran cassa, timpani, marimba and piano, edited by Michael Betzner-Brandt, in order to make the music accessible for more choirs. [25]
According to the sheet music published by Alfred Publishing on Musicnotes.com, the original Lacrimosa sequence was performed in D-minor, and it was transposed into E-minor in the song. [14] Lee's vocals range from the low note of B 3 to the high note of E 5; the SATB choir vocals range from the low note of B 2 to the high note of E 4. [14]
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms. As in his Ein deutsches Requiem , the texts are compiled from the Luther Bible . Three songs deal with death and the transience of life, while the fourth has an outlook of faith, hope and charity .
"Es war ein König in Thule" (Johann Wolfgang von Goethe) ["There was a king in Thule"], (song) for baritone and piano 1918 SB (sketches); unpub. BV 301 "Wie an dem Tag, der dich der Welt verliehen" (Johann Wolfgang von Goethe) ["How on the day, which bestowed thee upon the world"], (song) for voice and piano 1918 SB (sketches); unpub. BV 302