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Joan Silber (born 1945) is an American novelist and short story writer. She won the 2017 National Book Critics Circle Award in Fiction and the 2018 PEN/Faulkner Award for Fiction for her novel Improvement .
Joan Crawford was cast in May 1959, 10 days before shooting began. [17] This was the first time she had accepted a supporting role since the silent era. Crawford was in heavy debt after the death of her fourth husband Alfred Steele, and needed the money. [18] She commented on her role: "I'm on the screen only seven minutes.
The accompanying music video for "I'm Not Perfect (But I'm Perfect for You)" was directed by Jones, and was the only video she directed. [3] The video cost $250,000, [4] and featured Jones wearing a huge black and white skirt hand-painted by artist and the assistant director Keith Haring in Paris.
Susan Clarkson (Melissa Joan Hart) agrees to go with Jason (Jonathan Brandis) and three other young crew members and deliver a 60-foot sailing yacht from San Diego to Vancouver to a potential buyer. However the over-anxious captain sails off course and the crew runs into some bad weather.
Angels Charles and Arthur try to convince a young cherub named Item to stop waiting to be born to Lydia and Jeff Bolton, her parents who she has personally selected. The Boltons are too busy with their theater work to start a family and are also drifting apart, as Lydia wants to have a child but Jeff convinces her to put their careers first.
The film revolves around a team employed at The Back Bay Mainline, an alternative newspaper in Boston, [6] as they face the threat of a takeover by a major corporation. The key figures in this story include Harry Lucas, a disenchanted lead reporter with an on-and-off again girlfriend Abbie, Max, a flaky music critic, Michael, a writer/author intending to relocate to New York, David, an eager ...
James Earl Jones at His Best. James Earl Jones was an actor known for his booming voice, towering presence, and utter commitment to his craft. He passed away on September 9, 2024, at the age of 93.
Monthly Film Bulletin said "This film does for the probation officer what The Blue Lamp did for the policeman, and in much the same manner. The ingredients combine sentiment, comedy and some artificial melodrama in casily assimilated proportions, the manner is episodic, the technique has the smooth, journalistic proficiency that one expects from Basil Dearden – continually on the move, never ...