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The word stems from the French jalousie, formed from jaloux (jealous), and further from Low Latin zelosus (full of zeal), in turn from the Greek word ζῆλος (zēlos), sometimes "jealousy", but more often in a positive sense "emulation, ardour, zeal" [14] [15] (with a root connoting "to boil, ferment"; or "yeast").
Jalousie is the French word for "jealousy". It originated in 18th century France from the Italian word geloso, which means "jealous" or "screen", as in to screen something from view.
a class of women of ill repute; a fringe group or subculture. Fell out of use in the French language in the 19th century. Frenchmen still use une demi-mondaine to qualify a woman that lives (exclusively or partially) off the commerce of her charms but in a high-life style. double entendre
Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another.
Joual (French pronunciation:) is an accepted name for the linguistic features of Quebec French that are associated with the French-speaking working class in Montreal which has become a symbol of national identity for some. Joual has historically been stigmatized by some, and celebrated by others. [1]
Many found this unexpectedly difficult, though for others, conscious blocking of the jealous reaction is relatively easy from the start, and over time the reaction can be effectively extinguished. [ citation needed ] Some studies suggest that jealousy may be reduced in multilateral relationships where there is a clear hierarchy of relationships ...
Jealousy (French: La Jalousie) is a 2013 French drama film co-written and directed by Philippe Garrel, [3] starring Louis Garrel and Anna Mouglalis. [4] It was screened in the main competition section at the 70th Venice International Film Festival.
Aha Oe Feii? or Are You Jealous? (French: Eh quoi !Tu es jalouse ?) [1] is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests.