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Megxit is a play on the term 'Brexit' and refers to Prince Harry and his wife Meghan stepping back as members of the British royal family.It derives from Meg(han) + (e)xit; influenced by Brexit, [33] which was the withdrawal of the United Kingdom from the European Union and the European Atomic Energy Community at the end of January 2020.
His date of birth is unknown but is traditionally observed on 23 April, Saint George's Day. [1] This date, which can be traced to William Oldys and George Steevens, has proved appealing to biographers because Shakespeare died on the same date in 1616. [4] [5] He was the third of eight children, and the eldest surviving son. [6]
Some scholars, such as Peter Alexander and Eric Sams, believe that the oft-attributed source work known as the Ur-Hamlet was actually a first draft of the play, written by Shakespeare himself sometime prior to 1589. [2] Summary Prince Hamlet is visited by his father's ghost and ordered to avenge his father's murder by killing King Claudius, his ...
In his introduction to the 2001 edition of the play for the New Penguin Shakespeare (edited by Sonia Massai), Jacques Berthoud argues for a date of 1591; [71] in his 1984 edition for the Oxford Shakespeare, Eugene M. Waith argues for a date of 1592; [72] in his 1995 edition for the Arden Shakespeare, Jonathan Bate argues for a date of 1593. [73]
Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems attributed to William Shakespeare.
Thomas Middleton, depicted in the frontispiece of Two New Plays, a 1657 edition of Women Beware Women and More Dissemblers Besides Women. Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet.
The above tables exclude Shakespeare's Titus Andronicus (composed c. 1589, revised c. 1593), which is not closely based on Roman history or legend but which, it has been suggested, may have been written in reply to Marlowe's Dido, Queene of Carthage, Marlowe's play presenting an idealised picture of Rome's origins, Shakespeare's "a terrible ...
Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."