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A dilemma story (also dilemma tale) is an African story-form intended to provoke discussion. They are used as a form of both entertainment and instruction. [ 1 ] Unlike many other story forms, which culminate in a firm conclusion, dilemma stories are open ended, and meant to spark conversation and debate.
In recent years, the term has also taken on the meaning of a plot element that is introduced early in a story, whose significance to the plot does not become clear until later. [5] [6] This meaning is separate from Chekhov's original intention with the principle, which relates to narrative conservation and necessity, rather than plot significance.
A cliffhanger or cliffhanger ending, is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma.
[6] A domestic satire, The Dilemma of a Ghost concerns a Ghanaian student returning from education abroad with his Black American wife, and her struggle coming to terms with her cultural past in her new African home. [7] [8] Simon Gikandi writes that the play "is both structurally and thematically related to the traditional dilemma tale. By ...
This stems from the belief that “a dead man or animal can find no rest until its physical remains are intact.” [1] The folktale was created originally to teach the listeners to be respectful to the dead. Because The Golden Arm was passed down orally the story changed to become a story about avarice, teaching the listeners to not be greedy. [1]
The ancient Egyptian concept of the soul consisted of nine separate parts. Among these is the Ba, which is commonly translated into English as "soul".The Ba soul was thought to represent one's psyche or personality and was thought to live on after one's death, possessing the ability to traverse between the physical and spiritual planes.
The prelude section of the Panchatantra identifies an octogenarian Brahmin named Vishnusharma (IAST: Viṣṇuśarman) as its author. [3] [17] He is stated to be teaching the principles of good government to three princes of Amarasakti.
The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]