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Working under the direction of Tony Conrad and Beverly Grant Conrad, Teibel recorded ocean waves at Coney Island for use in their feature film Coming Attractions (1970). Teibel immediately sensed the marketability of this material, noting its effect on improving concentration, enhancing sleep and sex, and imparting a sense of calm to the listener.
It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation. [7] [8] The genre is said to evoke an "atmospheric", "visual", [9] or "unobtrusive" quality. [10]
In 2015, Richter released his most ambitious project to date, a collaboration with visual artist and creative partner Yulia Mahr [42] titled Sleep, an 8.5-hour listening experience targeted to fit a full night's rest. The album contains 31 compositions, most of them 20–30 minutes in duration, all based on variations of 4-5 themes.
Tom Coombe of The Morning Call likened the song's "haunting and calming" sound to the sound of the ocean. [112] The author Greg Kot wrote that the song sounds like a "lost soundtrack" to Alfred Hitchcock's 1958 film Vertigo. [113] The author Steven Hyden wrote that the song could have been on OK Computer if Walker had produced it. [80]
The sound's source was roughly triangulated to , a remote point in the South Pacific Ocean west of the southern tip of South AmericaThe sound was detected by the Equatorial Pacific Ocean autonomous hydrophone array, [1] a system of hydrophones primarily used to monitor undersea seismicity, ice noise, and marine mammal population and migration.
Dreams of Sleep and Wakes of Sound (Laraaji, Merz, Shahzad Ismaily - 2019) [18] [19] Sun Piano (Laraaji - 2020) [20] [21] Moon Piano (Laraaji - 2020) Through Luminous Eyes (All Saints Records, 2020) cassette only, available as triple cassette boxset with Sun Piano and Moon Piano. Circle of Celebration (NOUS with Laraaji and Arji OceAnanda - 2021)