Search results
Results From The WOW.Com Content Network
Beethoven as portrayed by August von Kloeber in 1818. In 1820, when Beethoven wrote "Abendlied", he was 49 years old. 1820 was a year in which the sorrows of his life (deafness, illness, failure to find a marriage partner) [a] were augmented by the climactic phase of his legal confrontation with his sister-in-law Johanna van Beethoven over custody of his nephew (Johanna's son) Karl.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Further, the Old English text is full of embellishments, especially verbal parallels, opposites and variations, so that as the scholar Frederick Klaeber stated, there is a "lack of steady advance"; the narrative takes a step forwards, then a step sideways with "traditional near-synonyms". [5]
The title translated to "a full jug". "Dicey Riley" – a Dublin song about a woman who enjoys her little drop, with verses by Dominic Behan [109] and Tom Munnelly [24] "The Hills of Connemara" – a song about making poitín in Connemara "I'm Not Irish" - a song about enjoying Irish music in a pub, by Garry Farren "The Juice of the Barley" [1]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
Where the Mountains o' Mourne sweep down to the sea. You remember young Peter O'Loughlin, of course, Well, now he is here at the head of the Force. I met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand. And there we stood talkin' of days that are gone, While the whole population of London looked on.
Mountains of the Mind: A History of a Fascination is a book by British writer Robert Macfarlane published in 2003 about the history of human fascination with mountains. The book takes its title from a line by the poet Gerard Manley Hopkins and combines history with first-person narrative.
Melbourne E. Bay was born on February 25, 1913, in the little Ozark Mountain town of Bunker, Missouri. [1] He bought a Sears Roebuck guitar at the age of 13 and several months later played his first "gig". Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself ...