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Liu, X., & Zhang, W. (2023). Mining the Value of Chinese and Foreign Art Exchange in Tang Dynasty Ceramics and the Interactive Artistic Influence of AI Digital Painting. Mediterranean Archaeology and Archaeometry, 23(3), 159-170. Doi: 10.5281/zenodo.13832575; Liu, Y. (2023). The Physical and Conceptual Space of the Murals in Chinese Tang ...
During the Tang Dynasty, the material cultures were presented in distinct ways. From the holistic point of view, due to a brand new trend of arts, the poets, art historians and connoisseurs made an effort to portray observable phenomena of human behaviours, such as emotions, movements, motivations and traditional customs. [3]
During the Tang dynasty, the capital city Chang'an (today's Xi'an), was the most populous city in the known world, and the era is generally regarded by historians as a high point in Chinese civilization and a golden age of Chinese literature and art. In several areas developments during the Tang set the direction for many centuries to come.
A Tang dynasty tomb decorated with colorful murals is providing a new glimpse into daily life in China during the 8 th century. Most interestingly, the murals show signs of Western influence ...
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
A Palace Concert (Chinese: 宮樂圖) is a Chinese Tang dynasty silk painting showing ten court ladies and two standing servant maidens around a large rectangular table. Some court ladies are depicted drinking tea, while others drink wine.
The 5.3 m × 3.5 m (17 ft × 11 ft) artwork was painted in the early Tang Dynasty (642 AD) and funded by the "Zhai" family. [1] Its style is similar to that of the ancient Chinese painter Wu Daozi. The Western Paradise Illustration features the earliest and the most spectacular scenes of the Pure Land among all mural paintings in the Mogao Caves.
Yan's paintings included painted portraits of various Chinese emperors from the Han dynasty (202 BC–220 AD) up until the Sui dynasty (581–618) period. His works were highly regarded by the Tang writers Zhu Jingxuan and Zhang Yanyuan, who noted his paintings were "works among the glories of all times". [3]