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  2. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard 7-string tuning – B'-E-A-d-g-b-e' Standard tuning for a seven-string guitar.

  3. E-flat - Wikipedia

    en.wikipedia.org/wiki/E-flat

    Download QR code; Print/export Download as PDF; Printable version; ... E-flat tuning, on a guitar "E Flat Boogie", a 1980 single by American funk band Trouble Funk;

  4. Stretched tuning - Wikipedia

    en.wikipedia.org/wiki/Stretched_tuning

    Stretched tuning is a detail of musical tuning, applied to wire-stringed musical instruments, older, non-digital electric pianos (such as the Fender Rhodes piano and Wurlitzer electric piano), and some sample-based synthesizers based on these instruments, to accommodate the natural inharmonicity of their vibrating elements.

  5. Guitar tunings - Wikipedia

    en.wikipedia.org/wiki/Guitar_tunings

    A dropped tuning is one of the categories of alternative tunings and the process starts with standard tuning and typically lowers the pitch of ("drops") one or more strings, almost always the lowest-pitched (E) string on the guitar. The drop D tuning is common in electric guitar and heavy metal music. [19]

  6. List of E-flat instruments - Wikipedia

    en.wikipedia.org/wiki/List_of_E-flat_instruments

    E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)

  7. A440 (pitch standard) - Wikipedia

    en.wikipedia.org/wiki/A440_(pitch_standard)

    The A440 standard is not universally adhered to. Early-music ensembles continue to use older, lower pitch levels. Leonard Bernstein often tuned the New York Philharmonic to A442, leading to complaints from the piano tuners’ union, although he claimed both the New York and Boston orchestras had used this higher pitch for years.