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Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno ("mountain sound") had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. [1]
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico.It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz.
The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
The son calentano is an instrumental form of music from the Tierra Caliente region, Mexico. [1] It has meters in 3/4 and 6/8, an ornamented use of violin and back beats on guitar and tamborita . It is usually played by conjunto calentano ensembles and is traditionally performed with dancers.
Painting of Charles V, Holy Roman Emperor by Juan Pantoja de la Cruz (c. 1605), after an original by Titian, depicting an elaborate Renaissance-era suit of armour. Parade armour from 1562, belonged to Erik XIV of Sweden .