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Pages in category "Plays by Ben Jonson" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. A. The Alchemist (play) B.
Title page of The Workes of Benjamin Jonson (1616), the first folio publication that included stage plays. Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. [1]
The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616, first published in 1631, and based on the events of the famous Leicester Boy Witch Trial. [ 1 ] The Devil Is an Ass followed Bartholomew Fair (1614), one of the author's greatest works, and marks the start of the final phase of his dramatic career.
Benjamin Jonson (c. 11 June 1572 – 18 August [O.S. 6 August] 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence on English poetry and stage comedy.
Jonson hinted to William Drummond that the play failed; he mentioned certain verses calling the title appropriate, since the audience had remained silent at the end. A report from the Venetian ambassador shows that at least one person spoke up in response to the play: Arbella Stuart , who complained of a personal reference to a recent intrigue ...
Bartholomew Fair is a Jacobean comedy in five acts by Ben Jonson. It was first staged on 31 October 1614 at the Hope Theatre by the Lady Elizabeth's Men company. [1] Written four years after The Alchemist, five after Epicœne, or the Silent Woman, and nine after Volpone, it is in some respects the most experimental of these plays. [2]
The play, however, is strongly dependent upon Classical examples in a way suggestive of Jonson: The Case is Altered borrows plots from two of the plays of Plautus, the Captivi ("The Captives") and the Aulularia ("The Pot of Gold"). The former supplies the plot of the Milanese Count Ferneze and his persecuted slave – who turns out to be his ...
Recent opinion holds that the Jonson wrote the play in the era when it premiered, the early 1630s, and that its apparently archaic aspects are deliberate artistic choices on the author's part. [1] For modern critics and scholars, a primary focus of interest in the play is Jonson's ridicule of Inigo Jones as "In-and-In Medlay". [2] (The 1633 ...