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Pages in category "Plays by Ben Jonson" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. A. The Alchemist (play) B.
The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616, first published in 1631, and based on the events of the famous Leicester Boy Witch Trial. [ 1 ] The Devil Is an Ass followed Bartholomew Fair (1614), one of the author's greatest works, and marks the start of the final phase of his dramatic career.
Ben Jonson and Envy (Cambridge University Press, 2009) Rosalind Miles. Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson ...
Bartholomew Fair is a Jacobean comedy in five acts by Ben Jonson. It was first staged on 31 October 1614 at the Hope Theatre by the Lady Elizabeth's Men company. [1] Written four years after The Alchemist, five after Epicœne, or the Silent Woman, and nine after Volpone, it is in some respects the most experimental of these plays. [2]
Title page of The Workes of Benjamin Jonson (1616), the first folio publication that included stage plays. Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. [1]
Every Man Out contains an allusion to John Marston's Histriomastix in Act III, scene i, a play that was acted in the autumn of 1599; the clown character Clove speaks "fustian" in mimicry of Marston's style. This is one instance of Jonson's involvement in the War of the Theatres. Scholars have found references to Sir Walter Raleigh and Gabriel ...
David Garrick as Abel Drugger in Jonson's The Alchemist by Johann Zoffany (c. 1770). The Alchemist is a comedy by English playwright Ben Jonson.First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature.
The masque was not produced by the Stuart Court in one of the royal palaces around London, as many of Jonson's notable early masques were. Rather it was staged by William Cavendish, 1st Duke of Newcastle (at the time, he was the Earl of Newcastle) at Bolsover Castle in Derbyshire, in honor of King Charles I and Queen Henrietta Maria.