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The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
At age 27, Berggruen moved back to San Francisco and decided to open his own gallery in May 1970 in a second floor walk-up at 257 Grant Avenue with $5,000 worth of Joan Miró prints lent to him on consignment from his father. [2] Berggruen moved the gallery across the street to 228 Grant Avenue two years later and remained there for 43 years.
[3] [2] He designed the windows for Temple Emanu-El and Grace Cathedral in San Francisco. He created over two dozen tapestries, [5] some of which are in the de Young Museum and the San Francisco International Airport. [2] He was commissioned to create a 30-foot tapestry for the headquarters of Weyerhaeuser. [3] In 1963, he won the Rome Prize.
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The most famous tapestries made by Burne-Jones and Morris were Holy Grail tapestries made for William Knox D'Arcy in 1890 for his dining room at Stanmore Hall [10] Additional versions of the tapestries with minor variations were woven on commission by Morris & Co. over the next decade.
John Melville Kelly died in Honolulu in 1962. The Hawaii State Art Museum, the Honolulu Museum of Art, and the Nelson-Atkins Museum of Art (Kansas City, Missouri), Saint Joseph College Art Gallery (West Hartford, Connecticut) and the San Diego Museum of Art (San Diego, California) are among the public collections holding work by John Melville ...
Five Centuries of Tapestry : The Fine Arts Museums of San Francisco. San Francisco: Fine Arts Museums of San Francisco. ISBN 0-8118-0213-2. Cavallo, Adolph (1967). Tapestries of Europe and Colonial Peru in the Museum of Fine Arts, Boston. (2 Vols). Boston: Museum of Fine Arts. Junquera de Vega, Paulina; Carretero, Concha Herro (1986).
Screen with embroidered panels, 1885-1910, designed by John Henry Dearle V&A Museum no. CIRC.848-1956. Dearle was born in Camden Town, north London, in 1859. [2] He began his career as an assistant in Morris & Co.'s retail showroom in Oxford Street in 1878, [3] and then transferred to the company's glass painting workshop, where he worked mornings and studied design in the afternoons. [1]