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Salt dough is a modelling material, made of flour, salt, and water. It can be used to make ornaments and sculptures , and can be dried in conventional [ 1 ] and microwave ovens. [ 2 ] It can be sealed with varnish [ 3 ] or polyurethane ; painted with acrylic paint ; and stained with food colouring , natural colouring, or paint mixed with the ...
Salt glazes have been improved by the addition of borax, and sometimes sodium nitrate, to the salting mixture. Colouring oxides can be incorporated in the salting mixture to give decorative effects, such as a kind of aventurine glaze. [30] Salt fumes in a firing atmosphere react in the following way: 2NaCl + 2H 2 O → 2NaOH + 2HCl 2NaOH → Na ...
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Figures may also have been carved at fireplaces or chimneys; in some cases, simple geometric or letter carvings were used for these. When a wooden post was used to support a chimney opening, this was often an easier material for amateur carving. To discourage witchcraft, rowan wood may have been chosen for the post or mantel. [20]
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[5] [6] [7] Graham Thompson wrote "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism or hyper-realism and painters like Richard Estes , Denis Peterson , Audrey Flack , and Chuck Close often worked from ...
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Most early ceramic ware was hand-built using a simple coiling technique in which clay was rolled into long threads that were then pinched and smoothed together to form the body of a vessel. In the coiling method of construction, all the energy required to form the main part of a piece is supplied indirectly by the hands of the potter.