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"Patiently Waiting" Get Rich or Die Tryin' 2003: Lyrics include: "Sit and politic with passengers from 9/11." and "Shady Records was eighty seconds away from the towers." [24] Mary Chapin Carpenter "Grand Central Station" Between Here and Gone: 2003: This song is inspired by an interview with an iron worker who worked at Ground Zero that ...
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day.
The service is free to the waiting rooms and general practice managers, and is supported by grants and donations. Prior to the Covid-19 pandemic the poems were presented as A4 sized three-fold cards typically reproducing between six and eight poems. Batches of cards were printed and distributed to waiting rooms four times a year.
For example, the "one talent" that Milton mourns his inability to use is not necessarily his poetic ability; it might as easily be his ability to translate texts from foreign languages, the task for which he was responsible in the Commonwealth government. However, the references to light and darkness in the poem make it virtually certain that ...
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
"So the beginning of the eighth day has dawned. It is still cool. I have no water....I am waiting patiently. Come soon please. Fever wracked me last night. Hope you get my full log. Bill." [147] — Bill Lancaster, Australian aviator (20 April 1933), final note written on fuel card while dying after crash in Sahara Desert "I butted him." [148 ...
Examples include poems by Simmias of Rhodes in the shape of an egg, [2] wings [3] and a hatchet, [4] as well as Theocritus' pan-pipes. [5] The post-Classical revival of shaped poetry seems to begin with the Gerechtigkeitsspirale (spiral of justice), a relief carving of a poem at the pilgrimage church of St. Valentin, Kiedrich.
In 2011, Andrew Ford adapted the poem into a choral work. [14] [7] In 2012, Constantine Koukias adapted it into an opera, "The Barbarians". [15] Laurie Anderson composed and performed a musical version of the poem at a weeklong festival sponsored by the Onassis Foundation in New York celebrating the 160 anniversary of Cavafy's birth. [16]