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After the Snow is the second studio album by Modern English, released in April 1982 by 4AD in the United Kingdom, Vertigo Records in Canada, and Sire Records in the United States. It spawned three singles, including the worldwide hit " I Melt with You ".
"I Melt with You" is a song by the British new wave band Modern English. The song, produced by Hugh Jones, was the second single from their 1982 album After the Snow.It became the band's most successful single, largely in the United States, where it was featured in the film Valley Girl and on MTV.
Modern English are an English new wave/post-punk band formed in 1979 in Colchester, Essex, England. They are best known for their songs "I Melt with You", "Hands Across the Sea" and "Ink and Paper". The group disbanded in 1987, but re-formed two years later and then disband again in 1991. [1]
Title Album details In Concert: Released: 15 January 2008; Label: Cleopatra Formats: digital download; Modern English: Released: 2009; Label: Madacy Entertainment Formats: CD; After the Snow – Live from Indigo at the O2
Mesh & Lace is the debut studio album by English post-punk band Modern English. It was released on 11 April 1981, through record label 4AD. The album was reissued on CD in 1992 with seven bonus tracks. On September 28, 2019, a digitally remastered edition of Mesh & Lace was released.
Pillow Lips is an album by the English band Modern English, released in 1990. [3] [4] It contains a rerecorded version of "I Melt with You", which charted. [5] The album peaked at No. 135 on the Billboard 200. [6] The band again broke up after promoting Pillow Lips. [7]
Descendants 2 (television film) Deadma Walking (Philippines) Dirty Dancing (television film) Emo the Musical; The Greatest Showman (biographical) Hello Again; Love Beats Rhymes; My Little Pony: The Movie (animated) Pitch Perfect 3; Roxanne Roxanne; Qaidi Band (Indian) Secret Superstar (Indian) Tangled: Before Ever After (animated television film)
AllMusic reviewer Alex Ogg gave Ricochet Days a mixed review, saying that it began Modern English's "slow decline toward the status of just another synth band." He warned readers that "the material, though beautifully produced by the reliable Hugh Jones and boasting some pliable hooks, lacks the conviction and attack of old.