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In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events.
Tafsir Ibnu Abbas contains exegetical narrations from Ali ibn Abi Talha that were authenticated by Ibn Abbas, the 7th-century Islamic scholar and Sahabi (companion of Muhammad). [1] [2] [3] Muhammad Husayn al-Dhahabi from the Al Azhar University of Cairo, Egypt regarded Ibn Abi Talha as a reliable source of narrations regarding the views of Ibn ...
Prehistoric Indonesia is a prehistoric period in the Indonesian archipelago that spanned from the Pleistocene period to about the 4th century CE when the Kutai people produced the earliest known stone inscriptions in Indonesia. [1]
The manuscript of the Cultural Manifesto was completed by Wiratmo Soekito on August 17, 1963, at 04.00WIB. Then the manuscript can be accepted by Goenawan and Bokor Hutasuhut as the material that will be submitted to the discussion on August 23, 1963, at Jalan Raden Saleh 19, Jakarta.
Shams ad-Dīn Abū ʿAbd Allāh Muḥammad ibn Abī Bakr ibn Ayyūb az-Zurʿī d-Dimashqī l-Ḥanbalī (29 January 1292–15 September 1350 CE / 691 AH–751 AH), commonly known as Ibn Qayyim al-Jawziyya ("The son of the principal of [the school of] Jawziyyah") or Ibn al-Qayyim ("Son of the principal"; ابن القيّم) for short, or reverentially as Imam Ibn al-Qayyim in Sunni tradition ...
He was born in Baghdad, where he spent most of his life.According to Hatim Salih al-Damin in his book al-Zāhir fī maʿānī kalimāt al-nās (الظاهر في معاني كلمات الناس), Ibn Al-Anbari received education from many teachers including his father Abu Muhammad al-Anbari(d. 916/917), Abu al-ʽAbbas Thaʽlab (d. 904) and Ibn Duraid (d. 953).
Priyanto Sunarto, Seniman, 1976, reconstructed 2015, Line drawing on wall, Collection of National Gallery Singapore The Indonesian New Art Movement, also known as Gerakan Seni Rupa Baru (GSRB) was an art movement of young artists from Bandung and Yogyakarta against the institutional concept of Indonesian fine art (Indonesian: Seni Rupa) being limited to paintings and sculptures.
Yūsuf ibn ʿAbd Allāh ibn Muḥammad ibn ʿAbd al-Barr, Abū ʿUmar al-Namarī al-Andalusī al-Qurṭubī al-Mālikī, commonly known as Ibn ʿAbd al-Barr (Arabic: ابن عبد البر) [5] [6] was an eleventh-century Maliki scholar and Athari theologian [7] who served as the Qadi of Lisbon.