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Bonseki (盆石, "tray rocks") is the ancient Japanese art of creating miniature landscapes on black trays using white sand, pebbles, and small rocks. [1] Small delicate tools are used in Bonseki such as feathers, small flax brooms, sifters, spoons and wood wedges. The trays are either oval or rectangular, measuring about 60 by 35 centimeters ...
Each miniature's production required exceptional craftsmanship, suggesting that they were commissioned by high-ranking nobles. A number of the miniatures appear to have come from a workshop led by Adam Dircksz, who is thought to have produced dozens of such works. Almost nothing is known about him or the artisans who produced the miniatures.
Prints out of the Fifty-three Stations of the Tōkaidō as Potted Landscapes depicting Bonkei, by Utagawa Yoshishige (1848). A bonkei (盆景, Japanese for "tray landscape") [1]: 15–19 is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, papier-mâché or cement mixtures, and sand in a shallow tray.
The garden sculptures have found a great history in the major civilizations of the world. [1] Among the major themes, human figures and animals were the inspiration. However, in certain cases, for example, in China the monsters and animals were assumed to be imaginary.
Each figure stands on a small, square base and is structurally supported by a carved tree stump. On the underside of each base is carved the word "ITALY". In their current placement the sculptures are elevated to eye level on matching tall, narrow, rectangular stone bases constructed in three pieces and held together via mortise and tenon.
Like Chinese gardens, these miniature landscapes are designed to convey landscapes experienced from various viewpoints - a close-up view, a medium-range view or a panorama. [citation needed] As an art form, penjing is an extension of the garden, since it enables an artist to recreate parts of the natural landscape in miniature.