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Billboard published a weekly chart in 1980 ranking the top-performing singles in the United States in soul music and related African American-oriented genres; the chart has undergone various name changes over the decades to reflect the evolution of black music and since 2005, has been published as Hot R&B/Hip-Hop Songs. [1] In 1980, it was ...
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
Call Me" by Blondie was the number one song of 1980. This is a list of Billboard magazine's Top Hot 100 songs of 1980. [1] [2] No. Title Artist(s) 1 "Call Me ...
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Queen scored two #1 hits with "Crazy Little Thing Called Love" and "Another One Bites the Dust" in 1980. Kenny Rogers scored his first #1 hit with "Lady" in 1980. John Lennon (pictured in 1969) became the fourth solo act to have a number-one hit posthumously after he was murdered in December 1980 with "(Just Like) Starting Over", reaching #1 in 1980 and 1981.
This is a list of 1980s music albums that multiple music journalists, magazines, and professional music review websites have considered to be among the best of the 1980s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1980s/all time" lists ...
This category contains rhythm and blues songs by American artists. R&B songs by American artists active during the 1980s, 1990s, 2000s, 2010s and/or 2020s should be categorized under Category:American contemporary R&B songs
From November 30, 1963 to January 23, 1965 there was no Billboard R&B singles chart. Some publications have used Cashbox magazine's stats in their place. No specific reason has ever been given as to why Billboard ceased releasing R&B charts, but the prevailing wisdom is that the chart methodology used was being questioned, since more and more white acts were reaching number-one on the R&B chart.