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Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on ...
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train .
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
A gamurra was an Italian style of women's dress popular in the fifteenth and early sixteenth centuries. It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia). It was usually unlined.
Scrolling floral embroidery decorates this Englishwoman's dress, petticoat, and linen jacket, accented with blue-tinted reticella collar, cuffs, and headdress, c. 1614–18. Figured silks with elaborate pomegranate or artichoke patterns are still seen in this period, especially in Spain, but a lighter style of scrolling floral motifs, woven or ...
Ribeiro, Aileen: Fashion and Fiction: Dress in Art and Literature in Stuart England, Yale, 2005, ISBN 0-300-10999-7; Vinciolo, Federico: Renaissance Patterns for Lace, Embroidery and Needlepoint, Dover Books, 1971. ISBN 0-486-22438-4
Norah Waugh has published a pattern taken from this mantua. [13] The Victoria and Albert Museum owns an extremely rare late 17th-century fashion doll dressed in a pink silk mantua and petticoat. [14] Also in the Costume Institute is a mantua and petticoat in salmon pink bizarre silk dated to 1708. [15]
1878 advertisement for Madame Weigel's paper patterns A knitting pattern magazine from the 1930s Weigel was born on 11 February 1847 in Posen, Prussia (present-day Poznań , Poland). She was the second of five children born to August Astmann and his wife Emilie, née Sachs. [ 1 ]