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Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
Examples: To His Coy Mistress, by Andrew Marvell; Eugene Onegin, [3] by Aleksandr Pushkin; Trochaic octameter. Example: The Raven, [4] by Edgar Allan Poe; Anapestic tetrameter. Examples: The Hunting of the Snark, [5] by Lewis Carroll; Don Juan, [6] by Lord Byron; Alexandrine – also known as iambic hexameter. Example: Phèdre, [7] by Jean Racine
My figured goblets for a dish of wood. – Shakespeare, Richard II [5] Synonymous parallelism in which one couplet expresses similar concepts can also be combined with antithetical parallelism in which a second couplet contrasts with the first. For example, synonymous and antithetical parallelism occur in Revelation 22:11:
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The word "line" and "couplet" need some clarification. Essentially, in fornyrðislag and many other forms, Norse poets treated each "half-line" of Germanic alliterative verse as a separate line. The Norse "couplet" is basically a single Germanic line, a pair of half-lines joined by alliteration.