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A look inside a Quantel Paintbox. The Quantel Paintbox [1] was a dedicated computer graphics workstation for composition of broadcast television video and graphics. Produced by the British production equipment manufacturer Quantel (which, via a series of mergers, is now part of Grass Valley), its design emphasized the studio workflow efficiency required for live news production.
Wilson was commissioned by the Tate Museum to create a video of Paintbox Art, which was premiered at the Tate Modern Lates event in November 2024. After scanning his archive, Wilson created a Quantel Paintbox website and a 3D virtual gallery, plus donated archive material to the US Computer History Museum and the UK's National Science & Media ...
Hamilton subsequently created several works in which he reworked the subject and composition of the pop art collage, including a 1992 version featuring the female bodybuilder Bernie Price which he produced using a Quantel Paintbox. [5]
Wexler was among the first artists to adopt digital image editing technology as a tool in the creative process. During 1987 Wexler was introduced to digital imaging technology by Tony Redhead, who in 1986 founded Electric Paint, the first U.S. company to use digital imaging technology and a Quantel Paintbox to create digital transparencies for print.
On 1 October 2008 Quantel ended the outsourcing contract with Effect Systems. Effect continued to offer independent support for Quantel legacy equipment (Paintbox V, Picturebox, Henry, Editbox and Domino) but has now ceased that support and in 2016 disposed of the inventory of spare parts.
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Levine became a nail sculptor in 2004, after spending much of his early career working with different art forms. [3] His first major position in art was at Harlech Television in Bristol, England as a Quantel Paintbox designer in the late 1980s. In 1989, he moved to work for a family printing machines and supplies business.
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