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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
The late Cuban American singer Celia Cruz, known as the Queen of Salsa, will be the first Afro Latina to appear on the U.S. quarter. Cruz was one of the 20th century’s most celebrated Latin ...
Son sabrosón: antesala de la salsa is a 1999 documentary film directed by Hugo Barroso, part of the series Vengo de Cuba of Cuban music documentaries. [1] It outlines the origins and development of son cubano, including interviews with musicians such as Celia Cruz and Roberto Torres, and musicologists such as Eloy Crespo.
The late Cuban American singer Celia Cruz, known as the Queen of Salsa, will be the first Afro Latina to appear on the U.S. quarter.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.