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In 1789, the regime of the French Revolution decreed that clothing should be plain, so silk ribbons fell out of fashion in France and were exported to North America. [1] Consequently, the people of the northern plains who traded furs with the French became known for their ribbon work. They include Métis, Ojibwe, and Cree. Later, the art spread ...
Princess Henriette of France in court dress playing the viola de gamba, c. 1750–52, by Jean-Marc Nattier Lady Mary Fox wears a grey silk hooded Brunswick gown with striped ribbon ornaments, 1767. Women's clothing styles emphasized a narrow, inverted conical torso, achieved with boned stays, above full skirts.
Strips of silk ribbons are cut and appliquéd in layers, creating designs defined by negative space. The colors and designs might reflect the clan or gender of the wearer. Powwow and other dance regalia from these tribes often feature ribbonwork. These tribes are also known for their fingerwoven sashes.
This formal style then gave way to more relaxed fashions. The robe à la française or sack-back gown had a tight bodice with a low-cut square neckline, a decorated [stomacher], wide panniers, and was lavishly trimmed with all manner of lace, ribbon, and flowers. An early form of the robe à la française was worn as a less formal undress fashion.
Doña Josefa García Solis wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels and ribbons, and she carries an elaborate fan, 1852. Anna Henriette Stelzner wears a low cut lace trimmed silk dress with an elaborated bow ornament, 1852.
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