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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs , and small statuettes and figurines , as well as bronze elements to be fitted to other objects such as furniture.
Rowan Fergus Meredith Gillespie (born 1953) is an Irish bronze casting sculptor of international renown. Born in Dublin to Irish parents, Gillespie spent his formative years in Cyprus. [1] From conception to creation, he works alone in his purpose-built bronze casting foundry at Clonlea, in Blackrock. This is one of the things that make him ...
Bronze is widely used for casting bronze sculptures. Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mould. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mould. [30]
Traditionally, molten bronze is used as the casting material, but modern alternatives include resin. When the cast sculpture has cooled or cured, the mold is again separated to release it and reassembled ready to cast the next copy.
The bronze was evidently cast in 1933 but not completed due to Lachaise's chronic failure to pay his foundry bills. It was returned to him in April 1934 and chased and finished by him a month later. That first cast, exhibited in his 1935 retrospective at the Museum of Modern Art , was donated to that museum in 1948. [ 2 ]
In the Late Bronze Age, Cyprus produced numerous bronze stands that depicted a man carrying an oxhide ingot. The stands were designed to hold vases, and they were cast through the lost-wax process. [21]: 341, 344 The ingots show the familiar shape of four protruding handles, and the men carry them over their shoulders. These Cypriot stands were ...
Bronze Jin, cast using traditional piece-mould techniques, is further embellished by adding prefabricated ornate open worked handles, which are produced through a lost wax process and then attached. Lost wax was eventually introduced to China from the ancient Near East as far west as possible, and the process has an early and long history in ...