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"Summer Paradise" is a song by Canadian rock band Simple Plan, featuring Somali-Canadian rapper K'Naan or Jamaican reggae artist Sean Paul. It was released on December 13, 2011, in Australia as the third official single from their fourth studio album, Get Your Heart On!
"Summer Paradise" (featuring K'naan, Sean Paul, Taka or MKTO) "This Song Saved My Life" (MTV Exit version) 2012 Ash Boland "This Song Saved My Life" 2013 David F. Mewa "The Rest of Us" Simple Plan "Boom!" 2015 Chady Awad "I Don't Wanna Go To Bed" (featuring Nelly) Mark Staubach "Opinion Overload" 2016 "Singing in the Rain" "Perfectly Perfect"
Scorcha is the eighth studio album by Jamaican dancehall singer Sean Paul, released on 27 May 2022 through Island Records. [2] It features collaborations with Sia, Gwen Stefani, Shenseea, Stylo G, Damian Marley, Nicky Jam, Tove Lo, Jada Kingdom, Pia Mia and Ty Dolla Sign.
It was written by Pierre "The Maven" Medor, Rico Love and Sean Paul Henriques and was produced by Pierre "The Maven" Medor, Rico Love. The song has charted in France. The song has charted in France. Hold On is widely associated with Usain Bolt in his endeavour to victory in the London 2012 Olympic Games in the 100m and 200m races.
"Feels like Home" is a song by English DJ and record producer Sigala, English-Ghanaian recording artist Fuse ODG and Jamaican rapper Sean Paul, featuring guest vocals from American recording artist Kent Jones. It was written by Sigala, Jones, Fuse ODG, Paul and Janée Bennett, with the song's production handled by Sigala.
"Trumpets" is a single by DJ Sak Noel and Salvi featuring Jamaican singer Sean Paul. The song was released on April 25, 2016, on iTunes. [1] The official audio was released on March 13, 2016, and its music video was released on April 24, 2016.
2000s and 2010s. Flared wide-leg jeans became popular again in the early aughts, often featuring low-rise waists that eventually fell to the wayside in favor of more universally flattering (and ...
[53] While mixed on the teenage-aimed lyrics, Jenny Eliscu of Rolling Stone found the production and instrumentation of the tracks catchy and worthy of being released as singles, saying that "[D]espite the overwrought angst, Still Not Getting Any . . . is a hard-to-deny collection of bubblegum punk." [56]