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A symphonic poem may stand on its own (as do those of Richard Strauss), or it can be part of a series combined into a symphonic suite or cycle. For example, The Swan of Tuonela (1895) is a tone poem from Jean Sibelius's Lemminkäinen Suite, and Vltava (The Moldau) by Bedřich Smetana is part of the six-work cycle Má vlast.
When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the line next to it. For example, in the poem 春望 (pinyin: chūn wàng, Spring View) by Du Fu, the tone pattern of the first line is 仄仄平平仄, while that of the second line is 平平仄仄平:
Lemminkäinen Suite (also known as Four Legends from the Kalevala), Op. 22 * [a cycle of four tone poems] Lemminkäinen and the Maidens of the Island (1895, revised 1897 and 1939) * The Swan of Tuonela (1893-1895, revised 1897 and 1900) *
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
Frank Sinatra Conducts Tone Poems of Color is a 1956 album of short tone poems by eight notable mid-20th century Hollywood composers. The album was conducted by Sinatra and marked the first musical collaboration between Sinatra and Gordon Jenkins. Each composition was inspired by the poetry of Norman Sickel.
In literature an author sets the tone through word choice that create imagery, perspective, tone, subject matter, and more. [14] The possible tones are bounded only by the number of possible emotions a human being can have. Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example ...
The term "tonal contour" is used to indicate that these tones are not tones in the sense of absolute musical pitches, but rather in terms of the overall relative "shape" of the tones as spoken or chanted. The four tones of Middle Chinese were first described by Shen Yue around AD 500. They were the "level" (平 píng), "rising" (上 shǎng ...