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Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
Joni Mitchell – On the song "The Jungle Line" from The Hissing of Summer Lawns; Moby; The Monkees – Their song "Daily Nightly" was the first known pop recording to feature a synthesizer, namely the Moog Modular synth purchased by Micky Dolenz, only the third to be sold commercially at the time. Francis Monkman; Hugo Montenegro
Pages in category "Synth-pop songs" The following 133 pages are in this category, out of 133 total. This list may not reflect recent changes. 0–9. 3AM (Pull Up) A.
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital ...
The Cat Stevens album Izitso, released in April 1977, updated his pop rock style with the extensive use of synthesizers, [32] giving it a more synth-pop style; "Was Dog a Doughnut" in particular was an early techno-pop fusion track, [33] which made early use of a music sequencer.
A synthesizer (also synthesiser [1] or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis , additive synthesis and frequency modulation synthesis .
An early use of the Moog synthesizer in rock music came with the 1967 song by the Doors "Strange Days". [20] In the same year, the Monkees used a Moog on their album Pisces, Aquarius, Capricorn & Jones Ltd. [ 7 ] In 1969, George Harrison released an album of Moog recordings, Electronic Sound , and the Beatles used the Moog on several tracks on ...
After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles.