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Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part. [8] The success of an allusion depends in part on at least some of its audience "getting" it. Allusions may be made increasingly obscure, until at last they are understood by the author alone, who thereby retreats into a private ...
For example, the Odin article ... There is a connection to the word nesa meaning subject to public ridicule/failure/shame, ... An allusion to Loki's fathering of ...
James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...
An allusion is understandable only to those with prior knowledge of the reference in question (which the writer assumes to be so). Allusions are structurally related to idioms. Note: An illusion is a different part of speech that should not be confused with an allusion. Examples: Utopian discord; A Pearl Harbor sneak-attack
Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men"). During the Renaissance, scholars meticulously enumerated and classified figures of speech.
The word albatross is sometimes used metaphorically to mean a psychological burden (most often associated with guilt or shame) that feels like a curse. It is an allusion to Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner (1798). [1]
Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Allusion requires the audience to share in the author's cultural knowledge. [8] Allusion and pastiche are both mechanisms of intertextuality.
Tmesis – separating the parts of a compound word by a different word (or words) to create emphasis or other similar effects. Topos – a line or specific type of argument. Toulmin model – a method of diagramming arguments created by Stephen Toulmin that identifies such components as backing, claim, data, qualifier, rebuttal, and warrant.