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Narcissus poeticus, the poet's daffodil, poet's narcissus, nargis, pheasant's eye, findern flower or pinkster lily, was one of the first daffodils to be cultivated, and is frequently identified as the narcissus of ancient times (although Narcissus tazetta and Narcissus jonquilla have also been considered as possibilities).
Jebb comments here that νάρκισσος is the flower of imminent death with its fragrance being νάρκη or narcotic, emphasised by its pale white colour. Just as Persephone reaching for the flower heralded her doom, the youth Narcissus gazing at his own reflection portended his death. [31] θάλλει δ ουρανίας υπ άχνας
The narcissus appears in two Graeco-Roman myths, that of the youth Narcissus who was turned into the flower of that name, and of the Goddess Persephone snatched into the Underworld by the god Hades while picking the flowers. The narcissus is considered sacred to both Hades and Persephone, [213] and grows along the banks of the river Styx in the ...
[1] The word narcissus has come to be used for the daffodil, but there is no clarity on whether the flower is named for the myth or the myth for the flower, or if there is any true connection at all. Pliny the Elder wrote that the plant was named for its fragrance (ναρκάω narkao, "I grow numb"), not the mythological character. [citation ...
Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome. The painting was originally attributed to Caravaggio by Roberto Longhi in 1916. [ 1 ]
Echo and Narcissus is a myth from Ovid's Metamorphoses, a Roman mythological epic from the Augustan Age. The introduction of the mountain nymph , Echo , into the story of Narcissus , the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention.
Narcissus papyraceus (from papyrus and aceus; meaning paper-like [1]), one of a few species known as paperwhite, is a perennial bulbous plant native to the Mediterranean region, from Greece to Portugal plus Morocco and Algeria. The species is considered naturalized in the Azores, Corsica, Texas, California and Louisiana. [2]
Poussin illustrates this myth by representing three characters in an idyllic landscape: in the foreground, Narcissus, lying down; behind him, on the right, Eros, god of love; and on the left, sitting on a rock, Echo. Around the hair of the dead young Narcissus are already blooming flowers to which he gave his name.