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Up is a 2009 American animated comedy-drama adventure film produced by Pixar Animation Studios for Walt Disney Pictures.The film was directed by Pete Docter, co-directed by Bob Peterson, and produced by Jonas Rivera, from a screenplay written by Peterson and Docter, and a story conceived by the duo and Tom McCarthy.
The opening sequence to the 2009 Disney-Pixar film Up (sometimes referred to as "Married Life" after the accompanying instrumental piece, [1] the Up montage, or including the rest of the prologue The First 10 Minutes of Up) has become known as a cultural milestone and a key element to the film's success.
Up (Original Motion Picture Soundtrack) is the film score to the 2009 Disney-Pixar film of the same name composed by Michael Giacchino. This is his third feature film for Pixar after The Incredibles and Ratatouille. Giacchino wrote a character theme-based score that the filmmakers felt enhanced the story of the film.
A type of film distribution in which a film is shown in just a small fraction of the movie theaters available in a region or country, typically only in major metropolitan markets and often at small-scale independently owned theaters; in the U.S. and Canada, a limited release is defined as a film released in less than 600 theaters nationwide.
In the film, Veronica (Ryder), the fourth member of the group, strikes up an unlikely romance with the rebellious new kid, J.D. (Slater). But things take a dark turn when he starts killing the ...
Up is a 2009 American animated film directed by Pete Docter, who wrote the script with Bob Peterson. It stars the voices of Ed Asner , Christopher Plummer , Jordan Nagai , and Peterson. The film centers on elderly widower Carl Fredricksen (Asner) and Wilderness Explorer Russell (Nagai), who go on a journey to South America in order to fulfill a ...
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]
The film rating system has had a number of high-profile critics. Film critic Roger Ebert called for replacing the NC-17 rating with separate ratings for pornographic and non-pornographic adult film. [87] Ebert argued that the system places too much emphasis on sex, while allowing the portrayal of massive amounts of gruesome violence.