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The Visual Artists Rights Act of 1990 (VARA; Pub. L. 101–650 title VI, 17 U.S.C. § 106A), is a United States law granting certain rights to artists. VARA was the first federal copyright legislation to grant protection to moral rights. Under VARA, works of art that meet certain requirements afford their authors additional rights in the works ...
The copyright law of the United States grants monopoly protection for "original works of authorship". [1] [2] With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These ...
The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
The full understanding of copyright transfer agreements requires a firm grasp of "legal speak" and copyright law, in an increasingly complex licensing and copyright landscape, [note 1] [note 2] and for which a steep learning curve for librarians and researchers exists.
End User License Agreements on a physical box can be binding on consumers who signal their acceptance of the license agreement by opening the box. Bridgeport Music, Inc. v. Dimension Films: 410 F.3d 792: 6th Cir. 2005 No de minimis exception for sampled music. "Get a license or do not sample.
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.