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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
This is a list of notable Filipino painters. (A-Z) Abad, Pacita (1946–2004) Abellana, Martino (1914–1986) Arellano, Juan (1888–1960) Alcuaz, Federico Aguilar (1932–2011) Amorsolo, Fernando (1892–1972) Amorsolo, Pablo (1898–1945) Ancheta, Isidro (1882–1946) Antonio, Angelito (born 1939) Antonio, Marcel (born 1965) Aute, Luis ...
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
His paintings caught the eye of Lydia Arguilla, founder of the Philippine Art Gallery (PAG), who displayed his work at PAG and included over 40 of his paintings in her personal collection. Gorospe's first major exhibition, due largely to Lydia Arguilla's patronage, took place in 1962 at the World's Fair in Seattle, Washington. [ 2 ]
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
Dubbed "The Dean of Cebuano Painters", he was born to an artistic family. His main influence was his father, who was a school principal and a sculptor. Martino, along with his four brothers, including renowned sculptor and composer Dr. Ramon Abellana, were exposed to art early, and they helped their father with his sculptures. [1]
Sena offers art workshops during the summer at the Philippine Heart Center, U.P. Vargas Museum, and at his own home among other places. Among his former students are Fidel Sarmiento, the incumbent president of the Art Association of the Philippines, whom he taught in 1975 in the CMLI art workshops, and Ronald Ventura whom Sena taught in Malabon.
Bernardo was the subject of three major retrospectives; the first one in 1979 at the Museum of Philippine Art, the second, in 2013 at the Ayala Museum during the centenary of his birth and the third, at the Cultural Center of the Philippines in 2014. According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent ...