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John Newton (/ ˈ nj uː t ən /; 4 August [O.S. 24 July] 1725 – 21 December 1807) was an English evangelical Anglican cleric and slavery abolitionist.He had previously been a captain of slave ships and an investor in the slave trade.
Latin Translation Notes nanos gigantum humeris insidentes: Dwarfs standing on the shoulders of giants: First recorded by John of Salisbury in the twelfth century and attributed to Bernard of Chartres. Also commonly known by the letters of Isaac Newton: "If I have seen further it is by standing on the shoulders of giants".
The last words of Jesus on the cross in the Latin translation of John 19:30. contemptus mundi/saeculi: scorn for the world/times: Despising the secular world. The monk or philosopher's rejection of a mundane life and worldly values. contra bonos mores: against good morals: Offensive to the conscience and to a sense of justice. contra legem ...
Media vita in morte sumus (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". [1] The most accepted source is a New Year's Eve religious service in the 1300s. [1]
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Love is in the air for Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan) in Season 3 of Netflix's romance "Bridgerton" (May 16).
Quotes about trees and forests “Come to the woods, for here is rest. There is no repose like that of the green deep woods.” — John Muir “I became intensely aware of the being-ness of trees.”
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]