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Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... Dominant scale may also refer to: Phrygian dominant scale;
The C Phrygian dominant scale. Date: 31 August 2007: Source: Created by bdesham with LilyPond. Author: Benjamin D. Esham : Permission (Reusing this file) As a courtesy (but not a requirement), please e-mail me or leave a note on my talk page if you use this image outside of Wikipedia. Thanks!
Phrygian dominant scale Play ⓘ, also known as persian scale. Phrygian dominant or dominant harmonic minor I-♭ II-III-IV-V-♭ VI-♭ VII This differs from the Phrygian in having a major third. It may also be considered built on the dominant of the harmonic minor scale. Neapolitan minor differs from the Phrygian in having a major seventh.
The 4th mode of the Neapolitan major, also known as the Lydian Dominant ♭ 6 scale, is an excellent choice for the 9 ♯ 11 ♭ 13 chord. Said mode contains all the alterations plus the ♮ 5. A whole tone scale is often used but that mode tends to be minus the ♮ 5 that the Lydian Minor contains.