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A digital mixer may solve this problem: a sound operator can operate the whole sound system from a laptop computer. With the proper set-up, it can even be done by a wireless tablet for increased mobility. In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
Additive mixers are also known as analog adders to distinguish from the related digital adder circuits. Simple additive mixers use Kirchhoff's circuit laws to add the currents of two or more signals together, and this terminology ("mixer") is only used in the realm of audio electronics where audio mixers are used to add together audio signals ...
It has a long history of introducing significant products for the professional audio market such as the PM-1000 modular mixing console, the REV1 and SPX90 digital signal processors, the NS-10 studio monitors, and the 01v, 02R, 03D, PM1D, PM5D, QL5, M7CL, CL5, and PM10/7 Rivage [1] digital mixing consoles.
The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main left/right/mono outputs (see screenshot). In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input ...
Under this new ownership, Midas released the XL2 in 1988, the XL3 in 1990, and the XL4 in 1995. [ 1 ] [ 2 ] The XL3 and XL4 established Midas as a leading live console manufacturer for the next two decades, [ 3 ] and the XL series would grow to include the XL200, and XL250, as well as smaller models targeted at the club and regional sound market.