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The term type color should not be confused with the usual meaning of color, (i.e. red, yellow, blue); instead it has more to do with the blackness or boldness of the text on the page. A bold font weight creates more contrast on the page, therefore creates more emphasis. [3] Using a bold font is therefore one way that type color can be adjusted.
In William Cullum’s Greenwich Village apartment, a blend of eclectic vintage pieces and bold colors make for a room that is as glam as it is Boho. The living room features a mix of 19th-century ...
Use large expanses of the colour. If you're colouring text, use bold and a large font. For small expanses of colour, such as thin lines, clearly label them with text, or use non-colour techniques such as font styles (bold or italic), line styles (dots and dashes) or cross-hatching (stripes, checkers or polka-dots).
By contrast, a bold font weight makes letters of a text thicker than the surrounding text. [2] Bold strongly stands out from regular text, and is often used to highlight keywords important to the text's content. For example, printed dictionaries often use boldface for their keywords, and the names of entries can conventionally be marked in bold ...
Mathematical objects which are sometimes written in boldface, such as vectors and certain special sets, such as the rational number symbol Q (see Wikipedia:Manual of Style/Mathematics § Blackboard bold for further details) In some citation formats, for the volume number of a journal or other multi-volume works.
The bold weight, digitised by URW, is included with some Microsoft software such as Office. A wry commentary on the design, presumably by Microsoft's typography manager Robert Norton, adds: This interesting face always excites heated opinions. Some, like the writer, have always put Britannic Bold firmly in the category called 'Monumentally ...
Microgramma is almost always used in its extended and bold extended forms (pictured). Initially, it was a titling font with only uppercase letters. Later versions, by Linotype and URW/ Nebiolo , contain a lowercase as well, making it functionally identical to Eurostile.
Stuck Red and Stuck Blue are placed on two of the longer walls, which are separated by a shorter "corner" wall. The pieces each consist of a recess cut into one of the walls, each equidistant from the adjoining corner. Inside of each recess is a coloured fluorescent light (red in Stuck Red, blue in Stuck Blue). The lights are not visible ...