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Critical cultural research reveal consequences for the lifting of bits of culture, remolding for a mass audience, then selling the alternate view. A few of repercussions of commodification of culture: Only selected, majority cultural practices are shown leaving out other important minority cultures which are overlooked and/or ignored.
The official language of these empires was Classical Persian and the usual mother tongue of these upper echelons was an Indian language albeit with heavy Persian influence, hence Hindavi or Hindi was the word used which still implies Indian in Persian.
Heritage commodification is the process by which cultural themes and expressions come to be evaluated primarily in terms of their exchange value, specifically within the context of cultural tourism. [1]
Compound verbs, a highly visible feature of Hindi–Urdu grammar, consist of a verbal stem plus a light verb. The light verb (also called "subsidiary", "explicator verb", and "vector" [ 55 ] ) loses its own independent meaning and instead "lends a certain shade of meaning" [ 56 ] to the main or stem verb, which "comprises the lexical core of ...
The scholar of postcolonial studies Rumya S. Putcha states that the term "cultural appropriation" in itself "is a way of diluting the fact that we're talking about racism and European colonialism." [ 20 ] In her view, the effect is conveniently to divert attention to how one can "show cultural appreciation appropriately", when the real issue is ...
Deccani retains some features of medieval Hindustani that have disappeared in contemporary Hindi-Urdu. It is also distinguished by grammar and vocabulary influences from Marathi, Kannada, and Telugu, due to its prolonged use as a lingua franca in the Deccan. [36] Below is a non-exhaustive list of its unique features, with standard Urdu equivalents:
Standard Hindi (also High Hindi, Manak Hindi) is the language of the government and is one of the official languages of India, Standard Urdu is the state language and national language of Pakistan, Dakhini is the historical literary dialect of the Deccan region, and Rekhta the "mixed" Hindustani of medieval poetry. [12]
Hindustani is extremely rich in complex verbs formed by the combinations of noun/adjective and a verb. Complex verbs are of two types: transitive and intransitive. [3]The transitive verbs are obtained by combining nouns/adjectives with verbs such as karnā 'to do', lenā 'to take', denā 'to give', jītnā 'to win' etc.