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The sonnet form crossed the Atlantic quite early in the Spanish colonial enterprise when Francisco de Terrazas, the son of a 16th-century conquistador, was among its Mexican pioneers. Later came two sonnet writers in holy orders, Bishop Miguel de Guevara (1585–1646) and, especially, Sister Juana Inés de la Cruz. But though sonnets continued ...
The sonnet had been adopted into English poetry during Tudor times, notably by Sir Thomas Wyatt and Henry Howard, Earl of Surrey, who took Petrarch as their model and translated or adapted several of his sonnets into English. The form was taken up by a host of other poets over the next century, for the most part composing long amatory sequences ...
An advanced form of crown of sonnets is also called a sonnet redoublé or heroic crown, comprising fifteen sonnets, in which the sonnets are linked as described above, but the final binding sonnet is made up of all the first or the last lines of the preceding fourteen, in order. The fifteenth sonnet is called the Mastersonnet.
The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's ...
Another form of sestet has only two rhymes, ABABAB, as is the case in Gray's famous sonnet On the Death of Richard West. The sestet marks the turn of emotion in the sonnet . As a rule, with the octave having been more or less objective, reflection should make its appearance in the sestet, with a tendency to the subjective manner.
Shelley's "Ozymandias" is a sonnet, written in loose iambic pentameter, but with an atypical rhyme scheme, [19] which violates the Italian sonnet rule that there should be no connection in rhyme between the octave and the sestet. Two themes of the "Ozymandias" poems are the inevitable decline of rulers and their hubris. [20]
Elegiac Sonnets, titled Elegiac Sonnets, and Other Essays by Charlotte Sussman of Bignor Park, in Sussex in its first edition, [1] is a collection of poetry written by Charlotte Smith, first published in 1784. It was widely popular and frequently reprinted, with Smith adding more poems over time.
This form was used in the earliest English sonnets by Wyatt and others. For background on the pre-English sonnet, see Robert Canary's web page, The Continental Origins of the Sonnet. [3] In a strict Petrarchan sonnet, the sestet does not end with a couplet, since this would tend to divide the sestet into a quatrain and a couplet. However, in ...