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Leandro Valencia Locsin, Sr. (August 15, 1928 – November 15, 1994), also known by the initials LVL and the nickname "Lindy", was a Filipino architect, artist, and interior designer known for his use of concrete, floating volume and simplistic design in his various projects.
The museum moved to a new six-story building made from granite, steel and glass, [6] which was designed by Leandro V. Locsin Partners, led by Leandro Y. Locsin Jr., the son of the architect that designed the old Ayala Museum. It was formally dedicated at the 170th anniversary of the Ayala Corporation on September 28, 2004, and stands on the ...
Works of National Artists of the Philippines — artworks and landmarks created−designed by honored recipients of the ... Leandro Locsin buildings ... Life Theater; M.
The name "Istana Nurul Iman" is taken from Malay Istana and Arabic Nur-ul Imaan and means Palace of the Light of Faith. It was designed by Filipino Visayan architect Leandro V. Locsin, who utilized the architectural motif of golden domes and vaulted roofs to echo Brunei's Islamic and Malay influences.
Initially, Leandro Locsin designed the church for the Ossorio family, who were planning to build a chapel in Negros. Unfortunately, the plans for the chapel were scrapped when Frederic Ossorio, the head of the family, left for the United States. However, in 1955, Father Delaney commissioned Locsin to design a chapel that was open and could ...
Designed by National Artist for Architecture Leandro Locsin, its design was based and expanded upon the unconstructed Philippine-American Friendship Center. The Tanghalan is a primary example of the architect's signature style known as the floating volume, a trait which can be seen in structures indigenous to the Philippines such as the nipa hut .
A potential revival of the classic NBC comedy The Facts of Life was effectively sabotaged by a “greedy” co-star who quietly tried to set up her own spinoff, says Mindy Cohn. During a recent ...
Built by National Artist for Architecture Leandro Locsin in 1968, the design of this parish church is symbolic of the manner the martyr died: crucified on an X-shaped cross. The butterfly shaped floor plan emanates from this cruciform.