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Leandro Valencia Locsin, Sr. (August 15, 1928 – November 15, 1994), also known by the initials LVL and the nickname "Lindy", was a Filipino architect, artist, and interior designer known for his use of concrete, floating volume and simplistic design in his various projects.
Saint Andrew the Apostle Parish Church is a Roman Catholic church in Bel-Air Village, Makati, Philippines.It is one of the known modern edifices designed by Leandro V. Locsin in Makati.
Leandro Locsin (1928−1994) — a Filipino Modernist architect, and recipient of the National Artist of the Philippines Order Pages in category "Leandro Locsin buildings" The following 12 pages are in this category, out of 12 total.
L. V. Locsin Building is a 19-storey [1] office building at 6752 Ayala Avenue. Named after its designer, National Artist for Architecture Leandro Locsin , and completed in 1985, [ 2 ] it is notable for its Brutalist architectural style and the architect's signature of floating volumes. [ 3 ]
Leandro V. Locsin The Tanghalang Francisco Balagtas (English: Francisco Balagtas Theater ), formerly known as the Folk Arts Theater , was a theater located in the Cultural Center of the Philippines Complex in Malate, Manila .
Designed by National Artist for Architecture Leandro Locsin, its design was based and expanded upon the unconstructed Philippine-American Friendship Center. The Tanghalan is a primary example of the architect's signature style known as the floating volume, a trait which can be seen in structures indigenous to the Philippines such as the nipa hut .
The hotel itself was designed by Leandro Locsin of Leandro V. Locsin & Partners, who would later be named a National Artist of the Philippines for architecture, and Isidro Santos. [16] [17] In 1994, 12 years before the AccorHotels group took over ownership from Westin, the hotel hosted 670 guest rooms. [9] In 2016, it hosted 609 rooms and 46 ...
The Ramon Cojuangco Building is a 15-story structure designed by National Artist Leandro Locsin and is an example of International style architecture. It has also three levels underground. [1] An NCCA report notes that Locsin's "response to vernacular design" is evident in the building but is "minimal and ambiguous".