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A djembe or jembe (/ ˈ dʒ ɛ m b eɪ / JEM-bay; from Malinke jembe, [1] N'Ko: ߖߋ߲߰ߓߋ [2]) is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa. According to the Bambara people in Mali , the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together ...
A djembe drum. African music relies heavily on fast-paced, upbeat rhythmic drum playing found all over the continent, though some styles, such as the Township music of South Africa do not make much use of the drum and nomadic groups such as the Maasai do not traditionally use drums. Elsewhere the drum is the sign of life: its beat is the ...
A traditional djembe drum. Rhythm is the foundation of West Africa's traditional music, [ 21 ] so percussion instruments play a major role in constructing its sounds. Traditional music of West Africa incorporates the use of a variety of percussive instruments, the most popular of which is the djembe .
He learned his craft in traditional ceremonies (births, baptisms, and weddings). Having become a master of the djembe, he claims his African identity and loyalty to his traditions, but refuses to consider this music as a museum piece. [1] Since 1979, he has spread his knowledge of his instrument (the djembe) from Africa to Europe and America.
The names of the drums are onomatopoeic, meaning that they sound like the thing they describe.This is common for West African instruments. Shekere (gourd rattle), sege sege (metal djembe rattle), kese kese (woven basket rattle), and kenken (a bell played with dunun) are Malinké onomatopoeic terms for other instruments that are commonly played together with dunun and djembe.
Drum of Company B, 40th New York Infantry Regiment, at the Battle of Gettysburg, 1863 Talking drum A drum kit A Đông Sơn drum from 3rd to 2nd century BC A pair of conga drums. The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. [1]
A djembe accompanist who carries a steady pattern throughout the piece has since been added, as have the jeli dununba (also referred to as the kassonke dunun, names derived from the style of playing, not the physical instruments), and the n'tamani (small talking drum). Many ethnic groups, including the Kassonke, the Djokarame, the Kakalo, the ...
Diakité frequently visited Santa Cruz, California in the 1990s where he inspired the founding of the West African drum shop Drumskull Drums. He instructed and guided many future djembe teachers affiliated with the shop. [2] His educational philosophy embraced Jebe Bara or "unity of the drum." Diakité often spoke of spiritual aspects related ...