Search results
Results From The WOW.Com Content Network
The Idiot (pre-reform Russian: Идіотъ; post-reform Russian: Идиот, romanized: Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868–1869.
Semiotics (/ ˌ s ɛ m i ˈ ɒ t ɪ k s / SEM-ee-OT-iks) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is any activity, conduct, or process that involves signs.
The Idiot was a 2018 Pulitzer Prize Finalist in Fiction. [6] According to the literary review aggregator Book Marks, the novel received mostly positive reviews from critics. [7] Writing for The New York Times, Dwight Garner describes how "Each paragraph is a small anthology of well-made observations."
The Idiot is a 1938 Australian radio drama. It was adapted by Edmund Barclay from the novel The Idiot by Fyodor Dostoevsky. [2]Barclay's adaptation has been called a "radio masterpiece". [3]
Eco's approach to semiotics is often referred to as "interpretative semiotics". In his first book-length elaboration, his theory appears in La struttura assente (1968; literally: The Absent Structure). In 1969 he left to become Professor of Semiotics at Milan Polytechnic, spending his first year as a visiting professor at New York University. [12]
Theodoor Jacob "Theo" van Leeuwen FAHA (born 1947) [1] is a Dutch linguist and one of the main developers of the sub-field of social semiotics. [2] [3] He is also known for his contributions to the study of Multimodality; he wrote with Gunther Kress Reading Images: The Grammar of Visual Design, one of the most influential books on the topic.
His best-known publication is Semiotics: The Basics (Routledge: 1st edn 2002, 2nd edn 2007), [1] which is frequently used as a basis for university courses in semiotics, [2] and the online version Semiotics for Beginners (online since 1995). [3] He has a particular interest in the visual semiotics of gender and advertising.
The Idiot (Russian: Идиот), is a 1959 Soviet film directed by Ivan Pyryev. It is based on Part 1 of the eponymous 1869 novel by Fyodor Dostoevsky ; Yury Yakovlev declined to play the title character in a sequel which was never made.